Overture from La Vestale - Score

Overture from La Vestale - Score
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In recognition of its role in the development of Richard Wagner's third opera, Rienzi , it was performed in concert form in Dresden's Semperoper in the Summer of , conducted by Gabriele Ferro and starring Francisco Araiza as Cinna, Maria Agresta as Julia, and baritone Christopher Magiera as Licinius. Returning to Rome after a victorious campaign, Licinius finds his beloved Julia has become a priestess of Vesta. Although Julia attempts to avoid going to Licinius's triumph , she is delegated to present him with a wreath.

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He tells her that he intends to kidnap and reclaim her. In the temple of Vesta, Julia guards the eternal flame and prays to be freed of temptation. Licinius arrives; during their rapturous reconciliation, the flame expires. Licinius is advised by Cinna to flee. Julia is interrogated by the High Priest but refuses to name Licinius. She is sentenced to death for licentiousness.

Despite the pleas of Licinius, Julia is to be buried alive; even when he admits his intrusion to the Temple, Julia claims not to recognise him. Free download.

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When he falls asleep under a tree, the Cavalier changes clothes with him to escape the law. Related products So Pasquale is transformed into a nobleman, which gets him in all manner of trouble. Conscience in Medieval Philosophy? La vestale Spontini - Wikipedia!

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Dictionary of problem words and expressions. Computational complexity: selected entries from the Encyclopedia of computational complexity and systems science. Laurendeau, L. Das etwas andere Opernmagazin.

La vestale Spontini, Gaspare Muti reproduced the original version at La Scala in , and English National Opera mounted the opera in London in La vestale is famous in historical terms but is only very infrequently performed. The Last Renegade. Giuliani, Mauro.

The Complete Works Vol. Jeffery; Inegral - Mauro Giuliani - free Classical guitar sheet music! Lucky Break Chicagoland Vampires, Book La Monnaie's main house is undergoing extensive renovation works, so their season is being spread around various venues in Brussels. La vestale is in the Cirque Royal which, as the name suggests, is basically round.

The first surprise, as you enter, is that the orchestra is in a semi-circular space nearly on the level of the stage, with conductor Alessandro de Marchi at the stage end, facing the audience as he conducts the overture. Seated close to the timpanist in row D, I felt very much part of the orchestra.

The Hector Berlioz Website: Berlioz and Spontini

The opera is a star vehicle for Julia: Alexandra Deshorties puts in a bravura performance, clear-voiced, sweet-toned or screaming according to the mood of the moment, negotiating Spontini's tricky intervals with ease, and utterly inhabiting her character. Her antagonists have easier roles to sing, but if anything, they're even stronger vocally.

Alexandra Deshorties puts in a bravura performance, clear-voiced, sweet-toned or screaming according to the mood of the moment, negotiating Spontini's tricky intervals with ease, and utterly inhabiting her character. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. However, it is a dishonour to Steibelt to reduce him to this anecdote. Marguerite Bordat , Costume Designer. As La Grande Vestale, Sylvie Brunet-Grupposo makes you sit up and listen from her first note, exuding authority in a powerful mezzo with a creamy tone in her middle and low range.

Jean Teigen, the High Priest of Jupiter, is stentorian. Both pronounce their lines with the clarity of poetry that characterises all the singers. The music thrills most in the big choral numbers: The orchestral score is superb, and De Marchi winds orchestra and chorus to fever pitch for these big climaxes.

So why has La vestale been relegated to a mere curiosity? Compare it to Norma , another opera where a Roman general gets a priestess into trouble and another Callas star vehicle in the s: La vestale has a story that's every bit as powerful, is more classically dramatic, relies less on implausible plot coincidences, and has a poetic libretto that's just as elegant and far richer orchestration.

The main difference is in the quality of the vocal writing: And the other big defect is the deus-ex-machina ending: To our modern ears, the intensity of the preceding tragedy is utterly subverted. These defects are real and important, but shouldn't be taken out of proportion: Our privacy policy was last updated on Friday 25 May View it here Dismiss.

Steibelt, Daniel Free download. Book file PDF easily for everyone and every device. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. La vestale Spontini, Gaspare.